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From the first reading of the building, the stylistic difference of this house in relation to most of its counterparts on the Avenue stands out, in a "traditional Portuguese" style, far from a more urban search for understanding the space that is expressed at the time mainly by an imported beaux-arts style. It was no longer a privileged space for exceptional commerce and began to house other types of less characteristic exploitation. In late 2021, a renovation work began for a luxury enterprise. However, by January 2022, less than half of the work was completed, because of several delays. When there is any problem with the garage door, people mostly don't think of giving a permanent solution to the doors. 15 February: The Birmingham Repertory Theatre is founded by Barry Jackson when a theatre company opens a permanent home on Station Street, later the Old Rep. Creation of the Arcos Square in the perimeter between the old Banco de Portugal Building, the Municipal Library and the old Capitaincy of Porto de Aveiro Building.

The Pensão Avenida, whose first project dates back to 1924, played an important role in the consolidation of Dr. Lourenço Peixinho Avenue, as it was one of the first buildings to integrate the new artery in the old city structure. Many of these buildings were churches or rectories, including at least one building owned by each of the six parishes in the Marion Catholic Community. Designed by Jaime Inácio dos Santos, it is marked by a cylindrical tower in the corner, with classical elements, including stonecraft, the platband, the pediment, as well as more traditional elements, such as the cement plastered cornice and the frieze of the tiles. After the Car Barn's construction, the large edifice obstructed the view of the Potomac River and Virginia from homes on Prospect Street, including the well-known cottage of E. D. E. N. Southworth. Large double board doors open out of the building's eastern elevation. The building also has a worked platband, only interrupted by the fronts marking the entrance and the corner, and finished in the west, in both elevations, with a different section where two balcony windows stand out. It is a building that makes the articulation in the corner with the Almirante Cândido dos Reis Street, where the access to the railway station used to be.

With the arrival of thousands of tourists (many of them, through the railway station), the Dr. Lourenço Peixinho Avenue became again the main "gateway" to the city, as originally planned, which resulted in new investments in the buildings and equipment inserted in it. Unlike other buildings in the same urban situation, the decorative treatment of the elevations for both streets is the same. In 1923, António Simões Cruz had a house built by the same architect (Francisco Rocha), which followed the typology of the previous ones. Baseboards and lower portions of drywall that had been soaked with dog urine in certain areas of the house are removed, but the smell remains. Although its function is different, its residential nature remains. Over the years the building has maintained, despite changes made to the first floor, both its function and its original design. Stylistically, the building refers to French academism by its profuse decoration and classical character. This building still exists, being considered the oldest of this Avenue.

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On 21 April 1921, a request from Artur Trindade for the construction of his house in the "New Avenue", designed by the architect Francisco Augusto da Silva Rocha, was submitted. The connection of the house to the plot, the backyard, was guaranteed, since this was almost at the same level as the Americano Street. Dr Angelique Coetzee, the South African physician who first raised the alarm about the Omicron variant, and who has been asked to look at the UK government's response to it by the House of Commons Science and Technology Select Committee, suggests Prime Minister Johnson has over reacted to the situation and is creating "hysteria". Although its affiliation with the Art Nouveau and Art Deco movements of the region is evident, the project essentially reveals the eclecticism characteristic of many buildings by this architect, who was responsible for the public works of Aveiro and author of a set of buildings that stand out both for their structures and for their ornamentation, especially with regard to the use of polychrome tiles on the façades, and which contributed to highlight the city in the panorama of Portuguese pre-modernist architecture. Standing out from the surrounding buildings by its imposing dimensions, the Building is characterized by its balance, elegance in the treatment of the façades and by the diversity of styles applied, particularly the neoclassical notes.

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